『Adult Romantix』は、2022年の画期的な作品『What Kind of Blue Are You？』に続く作品で、LAで過ごした日々への別れのラブレターでもある。サミラ・ウィンターは、Adult Romantixを「夏と思い出のトンネル」と表現している。メアリー・シェリーの『フランケンシュタイン』のようなロマンチックな時代のテキストや90年代のロマンス映画にインスパイアされている。
Thursday June 19, 93 Feet East, London, UK August 13 – 17, Vodaphone Paredes de Coura 2025, Paredes de Coura, PT Saturday October 18, The Dome, London, UK Wednesday October 22, Santeria, Milan, Italy Thursday October 23, La 2 de Apolo, Barcelona, Spain Friday October 24, Sala Mon, Madrid, Spain Tuesday October 28, La Maroquinerie, Paris, France Wednesday October 29, Reflektor, Liège, Belgium Thursday October 30, Toekomstmuziek, Amsterdam, Netherlands Thursday November 6, The Bellwether, Los Angeles, CA Saturday November 8, The Regency Ballroom, San Francisco, CA Monday November 10, Aladdin Theater, Portland, OR Tuesday November 11, Neumos, Seattle, WA Wednesday November 12, Hollywood Theatre, Vancouver, BC Friday November 14, Thalia Hall, Chicago, IL Saturday November 15, Beachland Ballroom, Cleveland, OH Sunday November 16, Ace of Cups, Columbus, OH Tuesday November 18, Spirit Hall, Pittsburgh, PA Wednesday November 19, Black Cat, Washington, DC Friday November 21, Warehouse on Watts, Philadelphia, PA Saturday November 22, Brooklyn Paramount, Brooklyn, NY Monday November 24, Paradise Rock Club, Boston, MA Tuesday November 25, Club Soda, Montreal, QC Thursday November 27, The Concert Hall, Toronto, ON Friday November 28, Nietzsche’s, Buffalo, NY Saturday November 29, Bearsville Theater, Woodstock, NY
ジャック・ホワイトが昨年の『No Name』から「Archbishop Harold Holmes」のミュージックビデオを公開した。
このビデオには、俳優であり友人でもあるジョン・C・ライリーが出演しており、2007年の映画『Walk Hard: The Dewey Cox Story』では、エルヴィス・プレスリー役でジャックが出演していたのを覚えているだろう。
Nation Of Languadeのニューアルバム『Dance Called Memory』は9月19日にSub Popからリリースされる。
「I'm Not Ready For the Change」
Nation of Language 『Dance Called Memory』
Label: Sub Pop
Release: 2025年９月１９日
Tracklist:
1.Can't Face Another One 2.In Another Life 3,Silhouette 4.Now That You're Gone 5.I'm Not Ready for the Change 6.Can You Reach Me 7.Inept Apollo 8.Under the Water 9.In Your Head 10.Nights of Weight
「妊娠8ヶ月のとき、マッケンナが一緒に曲を書かないかと誘ってくれたの。" Just Loving You "を書いたんだけど、今まで書いた中で一番個人的な曲だった。 この曲が観客とつながったのは、それまで経験したことのないことだった。 私は、自分の歌がより個人的で具体的であればあるほど、より心に響くことを学んだ。 自分の知っていることを書く。アルバム『ソルトウォーター・カントリー』はその証とも言えるでしょう」
ジョン・エヴァンス（トーリ・エイモス、サラ・マクラクラン）のプロデュースによるこのアルバムは、何も持たずに育ったことを生々しく反映した、硬質で湿った「Poor Man's Daughter」から、不完全さを受け入れ、自問自答を肩の荷から降ろすことを歌った、楽しげでトゥワングに満ちた「Beer in a Teacup」まできわめて幅広い。 リードシングルは、ビクトリア朝のソーサー付きティーカップでビールを飲み、人にどう思われようと気にしなかった彼女の祖母への頌歌だ。
Grace Morrison 『Saltwater Country』- New Album Out Now!!
If nerditude had a formal name, it would be Grace Morrison.She’s a little bit of everything—pianist, accordion player, Renaissance Faire performer, cranberry grower, reader of historical nonfiction, coffee devotee (she sells her own coffee blend), and an unapologetic expert on all things New England. And somehow, all these quirks weave seamlessly into the fabric of her music, making her one of the most unique and endearing songwriters around.
Born and raised on the shores of Cape Cod, Grace Morrison has trademarked a sound she calls Saltwater Country. “I was always too pop for folk and too folk for country. Eventually, I started peeling back the layers of my music to find out what truly made it mine.
At the heart of it all was my deep, undeniable connection to the Cape Cod coastline—it’s in my blood, in my voice, in every lyric I write. My music carries the storytelling of country, the twang, but also the raw, unshakable spirit of a Swamp Yankee. That’s Saltwater Country.”
Proudly unconventional, she’s never held what some would call a "real job", She says “it’s always been music and how lucky am I that music has given me this wild, unpredictable journey through the human experience. I wouldn’t trade that for anything.”
Her career started when she was in high school playing at coffee shops, where she sang for tips—one of which came from none other than actor James Spader. “I still have the $20 he left me,” she laughs.
Not long after, she hit the road with Rock 4 Xmas, sharing the stage with legends like Eddie Money, Joey Molland (Badfinger), Carmine Appice (Vanilla Fudge, writer of Da Ya Think I’m Sexy), and Greg Douglass (Steve Miller Band, co-writer of Jungle Love).
“I was 17, on a tour bus with rock icons. You can’t ask for a better crash course in rock ‘n’ roll than that. I could tell you some stories,” she says with a knowing grin. “It was Spinal Tap in real life—literally, someone from that movie was on the tour. But for me, the biggest thing was realizing that this life—touring, performing—was possible. All I’ve wanted since then was to get back on that bus.”
In those early years, she struggled to define her own sound. “My dad was convinced I should be a blues singer—like he hadn’t even heard my voice,” she jokes. “It took time, but I finally figured out who I am as an artist. And that’s Saltwater Country.”
One of the defining moments in her journey came when she collaborated with hit songwriter Lori McKenna. “I was eight months pregnant when Lori invited me to write with her. We wrote "Just Loving You", and it was the most personal thing I had ever written.
The way it connected with audiences—it was something I had never experienced before. I learned that the more personal and specific my songs are, the more they seem to resonate. You’ve got to write what you know.” Saltwater Country, the album, is a testament to that.
Saltwater Country takes the old adages of “3 chords and the truth” and “don’t bore us, get to the chorus”, wraps them up with a 90’s pop bow, and leaves the listener with a sound that is at once new and familiar.
Produced by Jon Evans (Tori Amos, Sarah McLachlan), the album ranges from the gritty, swampy "Poor Man’s Daughter"—a raw reflection on growing up with nothing—to the fun, twang filled "Beer in a Teacup", an anthem about embracing imperfections and letting self doubt roll off your shoulders. The leading single is an ode to her grandma who sipped beer out of a Victorian teacup with a saucer and didn't give a damn about what people thought about her.
It’s the sound of an artist who’s found her confidence, embraced her quirks, and learned that sometimes, when life gets messy, you just pour your beer in a teacup and move on.
HBOからSpotifyの人気プレイリスト（New Music Friday、Young & Free、Metropolis）まで、あらゆる場所で音楽が紹介され、Billboard、Paper、Nylonといった大手出版社からも支持を得ているエヴァリンは、ポップなアクセシビリティと芸術的野心の境界線を曖昧にし続けている。
Evalyn has spent over a decade transforming personal turbulence into pop catharsis. The Los Angeles-based artist, whose work has amassed over 130 million streams on Spotify, returns with her most ambitious project yet—A Quiet Life, an album that captures the existential unraveling of modern consciousness through the lens of impending motherhood.
Known for wrapping raw emotional intensity in irresistible melodies, Evalyn first captivated audiences as the voice behind Louis the Child's breakout track "Fire," before establishing herself as both a sought-after collaborator and formidable solo artist. Her 2018 psychedelic pop opus Salvation cultivated a devoted following, exploring themes of self-rescue that would become her artistic calling card. The album's 2024 vinyl re-release, featuring new material, proved her enduring resonance with fans seeking depth beneath the dance floor.
A Quiet Life pushes further into conceptual territory, drawing production inspiration from the dissonant frequencies of Aphex Twin, ARCA, and Grimes. Written and recorded almost entirely during her first pregnancy, the 13-track collection mirrors the physical and psychological chaos of transformation—the nausea of anxiety, the noise of endless scrolling, the vertigo of losing oneself while creating new life. It's her most visceral work yet, co-created with some of Los Angeles' most innovative producers to weave a sonic narrative of consciousness, tension, and surrender.
As a live performer, Evalyn commands stages from intimate venues to festival main stages. She's graced Coachella's Sahara tent with Jai Wolf, performed at The Greek Theater, and captivated crowds at SXSW and CRSSD. Her collaborations read like a who's who of electronic music's vanguard: Dillon Francis, San Holo, Tritonal, It's Murph and RAC have all tapped into her singular ability to inject humanity into the digital realm.
With music featured everywhere from HBO to Spotify's most coveted playlists (New Music Friday, Young & Free, Metropolis), and support from major publications such as Billboard, Paper and Nylon, Evalyn continues to blur the lines between pop accessibility and artistic ambition. A Quiet Life sees her at her most fearless, inviting listeners to piece together their own meaning from the wreckage. True to form, she offers no easy answers—only the permission to feel everything, loudly.
Her new single "The Feeling" is a sonic adrenaline rush inspired by the euphoric sounds of the 2010’s. The track is shared alongside an enthralling music video that represents a kind of maina. Evalyn confides, "This song is really about being taken over by a feeling or a raw instinct and we wanted to create that through movement. I was 6 months pregnant and crawling on the floor in heels and pink tights - I think that helped capture the chaos." "The Feeling" is filled with soaring memorable hooks over pulsating beats and feverish basslines creating the ultimate dance-floor anthem.
2022年、初のシングル "Oblivion "と "Right On Time "をリリースし、彼のハードなロック・サウンドを大衆に紹介した。 ''No Filter "ではソーシャルメディアの強迫観念について考察し、American Songwriter誌などから賞賛を受けた。2024年のシングル "Sick of It "は20万回近く再生された。
Tristan Tritt is a storyteller of the American experience, a believer in the power of simplicity, and an artist who never stops moving forward.
The musician and singer-songwriter is embracing who he truly is, along with the influences that shaped him. A proud Southerner, the Georgia native is unleashing his own exploration and blend of different styles including Southern rock, country, blues and alternative. This blurring the lines of genre recalls the spirit of his musical heroes, The Black Crows, Koe Wetzel, Colter Wall, and Tom Petty but with a fresh and modern edge. “I really hate the thought of being locked into a category,” he confides.
Born with music in his blood, his father is Grammy-winning country artist Travis Tritt, a young Tristan picked up his first Fender Stratocaster at age 11 and never put it down. He mastered grunge and alt rock staples like Oasis’ “Wonderwall,” The White Stripes’ “Seven Nation Army,” and Foo Fighters’ “Monkey Wrench”, soon turning that passion into writing original songs. Farthing his craft, he learned recording engineering in a school in Arizona and surrounded himself with other creatives in California. He devoted every spare moment to the recording studio and performing live, through countless shows, growing a dedicated fanbase.
In 2022, he released his first batch of singles “Oblivion” and “Right On Time”, introducing his hard-hitting rock sound to the masses. His contemplation on the obsessiveness of social media with “No Filter”, led to praise from American Songwriter among others, while his 2024 single “Sick of It” has racked up nearly two hundred thousand plays.
Now, Tristan Tritt is entering a new chapter—a musical rebirth. “For years I had fully immersed myself in Alternative rock (Specifically from the 90’s), but there had always been something missing for me. I am a proud southerner and grew up listening to bands like Lynyrd Skynyrd, Blackberry Smoke, and now incredible, new talents, such as treaty, Oak, revival, Dexter and the Moon Rocks. I love their blend of rock and southern / Texas style, and wanted to start my 2025 journey by paying homage to the rebels of old and new.”
Teaming up with collaborators Chris Ayer and Jerry Fuentes, Tristan is now leaving his own unique stamp on rock music. With tight musicianship, a whiskey-soaked voice that’s both gritty and soulful, and storytelling that cuts deep, his newest material is his most authentic yet.
His 2025 single “Stop the Ride” is an autobiographical track chronicling the grind of chasing a dream- the repetitive hard work, the constant tug-of-war between doubt and determination, and the emotional rollercoaster of highs and lows. Melancholic soundscapes and country-western undertones culminate into an explosive, arena-worthy chorus.
The new single “Wannabe” plays like both a love letter to his roots and a bold step into wider sonic territory. He shares, “the song came from an idea I had, while hearing about the parallels between the Cohen Bros. Classic O Brother, Where Art Thou? and Homer’s Odyssey. I wanted to blend an honest discussion with myself about who I am and where I come from, while also sprinkling a bit of Greek mythology behind it. There is a very special place in my heart, in regards to the relationship between the Father and his Son, so Icarus came to mind.” Soaring guitar riffs, hypnotic rhythms and heightened melodies captures a timeless sense of longing and freedom.
2020年、グラスハウスのアーティスト・イン・レジデンスに招かれ、ソロ活動を開始。その後すぐにロックダウンが訪れ、彼女は遮蔽物に囲まれながら、ベッドルームでゆっくりと新しい音楽的アイデンティティを築いていった。前作『Direct Debit To Vogue』（2022年）では、PJハーヴェイ、オルダス・ハーディング、ディス・イズ・ザ・キットを手掛けたブリストルのプロデューサー、ジョン・パリッシュとコラボレートした。
帰国後、彼女はこのことを一気に書き上げ、自分の本物の声への新たなコミットメントとともに『Direct Debit To Vogue』を完成させた。彼女は言う。「腹にパンチを入れるような音楽の感覚を呼び起こしたかった」
リリース以来、リヨンはPRS Women Make Musicなどから賞賛を受け、BBC Radio 1と6 Musicからオンエアされ、グレート・エスケープ、ラティテュード・フェスティバル、シークレット・ガーデン・パーティー、グリーンベルト、グラストンベリーにも招待されている。2025年リリースのデビュー・アルバムを再びジョン・パリッシュとレコーディングし、アビー・ロードでBBCの独占ライブ・セッションを収録した。
ルース・リヨンによる記念すべきデビュー・アルバム『Poem & Non Fiction』は、大人のためのポップスといえる。このアルバムで、ニューキャッスルのSSWは、表側には出せないため息のような感覚を、アンニュイなポピュラーソングにより発露している。BBC Radioからプッシュを受けるルース・リヨン。世界的にはシンガーソングライターとしての全容は明らかになっていない。しかし、幸運にもグラストンベリーフェスティバルで彼女の姿を目撃した方もいるはずだ。
正直言えば、少し地味なポピュラーアルバムかもしれないと思った。ただ、どちらかといえば、聴けば聴くほどに、その本質がにじみ出てくる。リヨンは人間的な感覚を渋いポップソングで体現させる。アルバムは、全般的にマイナー調の曲が多く、そのボーカルはほのかなペーソスを感じさせる。そして、時々、ヨーロッパのテイストを漂わせるフォークロックを聞かせてくれるという点では、ラフ・トレードに所属するフランスのシンガー、This Is The Kit（それは時々、実験的な音楽性に近づく場合もある）を思い出す方もいらっしゃるかもしれない。ルース・リヨンはリリックに関して、ストレートな言葉を避け、出来る限り抽象的な言葉を選んでいる。それが言葉に奥行きをもたせることは言うまでもない。
承前という言葉がふさわしく、『Poem＆ Non Fiction」は前の曲の作風を受け継いだ「Wickerman」が続く。同じようなタイプの曲で籠もった音色を生かしたピアノ、そしてアンサンブルの性質が強いドラムを中心に構成される。しかし、この曲の方がブルージーな味わいを感じさせる。人生の渋みといっては少し語弊があるかもしれない。ところが、この曲全般に漂う、孤独感や疎外感といった感覚は、イギリスの若い人々に共鳴するエモーションがあるのではないかと思う。ルース・リヨンのソングライティングは、まるでモラトリアムのような感覚を持って空間をさまよい、しばらくすると、その長いため息のようなものがいつの間にか消えている。彼女の歌声はブルース風のギターによって、そのムードがよりリアリティ溢れるものになる。そして、この曲でも、メインとコーラスという二つの声が二つの内的な声の反映となっている。
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